With more and more companies wanting to integrate their products into the lives of celebrities, now seems like a good time to take a closer look at celebrity product placement. Here are three common approaches and a description of what steps you can take to encourage results.

The term "celebrity product placement" is used to describe several related techniques, but its definition applies to each: free products are distributed to celebrities in expectation of a promotional benefit. Unlike the more overt, paid-for endorsement, it offers a distinct advantage. A product appears as a product choice made by a celebrity according to individual preference.

Most marketers are unaware of their options in this category (one form features contracts with celebrities, guaranteeing performance and allowing marketers to actively leverage celebrity patrons in the media) and therefore many overlook a very powerful influencer-marketing technique.

In this article, I will describe each of the three main approaches and discuss their relative merits by listing their pros and cons. I also hope to quash any misconception that celebrity product placement has to be a gamble, and show you how best to secure a return on investment.

But first, a little history.

Celebrity product placement (sometimes called "celebrity seeding") has been with us since the dawn of marketing. Centuries before Arnold Schwarzenegger stepped into his first Hummer, an 18th century potter named Josiah Wedgwood began supplying his wares to England's Queen Charlotte. Receiving the title "Potter to Her Majesty" led to a huge amount of publicity for Wedgwood, which he took advantage of by using the term "Queen's Ware" to describe his product.

Those efforts that did succeed, however, were so successful that independent specialists emerged to help companies achieve better results. But the services they offer vary, and so do the results.

What's It All About?

Marketers have long known the power of celebrity to influence consumer-purchasing decisions. The term "borrowed equity" has been used to describe how a celebrity endorsement can bestow upon a product special attributes and cachet that it might not otherwise have.

The same concept applies to celebrity product placement. But unlike celebrity endorsements, where a highly compensated personality appears in commercial advertising, celebrity product placement offers marketers a more subtle and highly effective means of reaching the public—via the media they consume by choice.

Indeed, celebrity product placement is as much about placing products with celebrities as it is about getting stories about those relationships into the press. Regardless of the approach, celebrity product placement strategies have a common aim: to tie celebrities (thought leaders, influencers) with consumer products in the public consciousness.

Three techniques offer three levels of control over that placement:

  1. Gifting the talent (this usually involves supplying products for gift bags at live events)

  2. Product seeding (products are distributed more widely in hopes of securing a promotional benefit and kicking off a trend)

  3. Barter relationships (individual celebrities agree to participate in custom programs in exchange for valuable products).

Let's take a look at each one in greater detail.

Gifting the Talent

"Everybody" knows that celebrities own all the coolest stuff—and they own it well before everybody else. Celebrities travel the world, and the minutest details of their daily lives pervade the media. As style leaders, they are perhaps our most powerful influencers. It's no wonder that companies are lining up to give them the latest gifts and gadgets for free.

One method of doing this is called "gifting the talent." This generally involves supplying free product for insertion into "goody bags" that are handed out as thank-you gifts to celebrity presenters and award nominees at the now-countless awards shows and charity benefits that dot the entertainment landscape.

At last year's Academy Awards, for example, one of two Best Actress gift bags featured Gucci sunglasses, a Sprint PCS phone, Christian Tse 18-carat gold Iris earrings and more. The Best Actor bag featured Gucci eyewear, a Maurice Lacroix Swiss watch and assorted other goodies. According to news reports, the retail value of one such group of bags at the Oscars exceeded $110,000 each!

But how effective is this practice? If the goal of celebrity product placement is to get press coverage, can we measure the value of gift-bag placements? What types of products are suitable and which are not? And what level of control does this strategy offer marketers both in terms of demographics and reach?

There is no denying the value of being associated with these glitzy events and, by extension, the celebrities who populate them. On the plus side, they offer a rare opportunity to get close to the biggest stars in the world. On the minus side, the marketer has no control in matching up celebrities who hold sway over their particular demographic. They have to play the cards they are dealt.

Gifting the talent at award shows virtually guarantees mentions in the celebrity press at the time of the event. But without permission to associate the celebrity's name and likeness with the product, marketers don't have the leeway to truly leverage those relationships in their own press activities.

Gifting the talent in this way has other limitations: first-movers snap up desirable categories, and of course not all products are deemed appropriate. You won't find an energy drink in these bags.

Product Seeding

Product seeding offers marketers more control over whom to place products with; but, conversely, they have less control over how (or whether) those products get used. And while virtually any product—from bottled water to consumer electronics—can be seeded with celebrities, marketers are playing the odds here. But the payoff can be huge if the seeding is supported by a creative strategy.

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ABOUT THE AUTHOR

Jonathan Holiff is president and CEO of The Hollywood-Madison Group (www.Hollywood-Madison.com).

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